A particularly vicious article by a German art critic served as the catalyst for this and several other "Martin in the Corner" sculptures, which consist of full-scale replicas of the artist posed like a naughty schoolboy doing his penance. Kippenberger zeros in on a trade secret: for contemporary museum officials, artists and the challenges their works present can be as vexatious as they are beloved.In 2018–19, MoMA collaborated with Google Arts & Culture Lab on a If you would like to reproduce an image of a work of art in MoMA’s collection, or an image of a MoMA publication or archival material (including installation views, checklists, and press releases), please contact All requests to license audio or video footage produced by MoMA should be addressed to Scala Archives at If you would like to reproduce text from a MoMA publication or moma.org, please email By visiting our website or transacting with us, you agree to this. German artist Martin Kippenberger produced this poster on the occasion of an exhibition of his so-called Peter sculptures, held at the Max Hetzler Gallery in Cologne in 1987.
Its presence in the galleries is a witty upending of the museum's traditional glorification of the artist. International with Galerie Max Hetzler, 1995-1996Gescheutzen palmen im Langweiligen Frankfurt (Protected Palmtrees in Boring Frankfurt), 1985Das Ende des Alphabets (Prototype for the Edition), 1989Represented by internationally reputable galleries.A Collection of Martin Kippenberger Posters and Cards Presents a Rich Visual Biography Kippenberger zeros in on a trade secret: for contemporary museum officials, artists and the challenges their works present can be as vexatious as they are beloved.In 2018–19, MoMA collaborated with Google Arts & Culture Lab on a If you would like to reproduce an image of a work of art in MoMA’s collection, or an image of a MoMA publication or archival material (including installation views, checklists, and press releases), please contact All requests to license audio or video footage produced by MoMA should be addressed to Scala Archives at If you would like to reproduce text from a MoMA publication or moma.org, please email By visiting our website or transacting with us, you agree to this.
In Germany in the 1980s, Kippenberger was known for his outrageous and provocative behavior, both in his art and his personal life. Find an in-depth biography, exhibitions, original artworks for sale, the latest news, and sold auction prices. Il déménage ensuite à Florence.
Kippenberger is also known for his many self-portraits—often inserting himself into historical paintings—and for his “Peter” sculptures of readymade objects presented as artworks. U-Bahn Entlüftung (« Aération de métro »).
A particularly vicious article by a German art critic served as the catalyst for this and several other "Martin in the Corner" sculptures, which consist of full-scale replicas of the artist posed like a naughty schoolboy doing his penance. Kippenberger created six versions of the sculpture. 4 other works identified Émergeant aux côtés de Georg Baselitz et Joseph Beuys dans la mouvance néo-expressionniste, le travail de Kippenberger met en avant des commentaires caustiques sur le monde de l’art et la dominance de la consommation dans la société. See available paintings, prints and multiples, and works on paper for sale and learn about the artist.
A particularly vicious article by a German art critic served as the catalyst for this and several other mock-apologetic Martin–in–the–corner sculptures.
Martin Kippenberger - Sculptures de 1987 à 1990 4 Mars - 30 Mai 2015. Blanchette Hooker Rockefeller Fund Bequest, Anna Marie and Robert F. Shapiro, Jerry I. Speyer, and Michael and Judy Ovitz Funds De 1972 à 1976, Martin Kippenberger étudie à l'École des beaux-arts de Hambourg (de). © 2020 Estate Martin Kippenberger, Galerie Gisela Capitain, Cologne Though he claimed he "didn't have a style," Kippenberger is generally recognized for his penchant for appropriation, his use of found and/or sundry objects, and his insistence that art should connect in … Painted by the iconoclastic German artist, Martin Kippenberger, this depiction may represent the rift in Germany after the destruction of the Berlin wall.
Nov 21, 2007–Jul 21, 2008 Nov 21, 2007–Jul 21, 2008 5 other works identified Nationalité: Allemand.
While the other figures are dressed more formally, the Martin in this sculpture (commissioned by MoMA) wears Levi's jeans and a shirt with a globe on it. 6 other works identified Its presence in the galleries is a witty upending of the museum's traditional glorification of the artist. Martin Kippenberger was one of the most influential German artists of his generation. One of the most influential, varied, and experimental German artists of the post-war era, Martin Kippenberger has had an enormous impact on painting, sculpture, and installation.
© 2020 Estate Martin Kippenberger, Galerie Gisela Capitain, Cologne
However, the work’s resonance goes far beyond the specific occasion, deftly setting into a contemporary vernacular the Romantic identification of the artist as outcast, whether genius, prophet, beggar, or madman.Each work in this series is uniquely made and clothed, and the faces and hands are cast in aluminum from molds of the artist's own body.
In Germany in the 1980s, Kippenberger was known for his outrageous and provocative behavior, both in his art and his personal life. 4 other works identified According to artist Martin Kippenberger died at age 44 from liver cancer at the Kippenberger’s refusal to adopt a specific style and medium in which to disseminate his images resulted in an extremely prolific and varied oeuvre which includes an amalgam of sculpture, paintings, works on paper, photographs, installations, prints and ephemera.Throughout the 1980s, Kippenberger’s artwork underwent periods of strong political reflection.
His work was only considered auction-worthy toward the very end of his life, and even then, it rarely sold for more than $10,000.Kippenberger's self-portraits have in the past achieved the highest prices. Nov 21, 2007–Jul 21, 2008