Apr 1, 2006 “Joel Sternfeld, Walking the High Line: Du fret ferroviaire à la promenade urbaineHonnef, Kause. Seelig, Thomas, Urs Stahel, and Martin Jaeggi, eds. Oct 12, 2011 “Lovelorn Tracts, Minced Wilderness: Jousting with the Landscape in Joel Sternfeld’s America.” Sozanski, Edward J. Hardback / Clothbound Smee, Sebastian. A desire to explore and experiment and to create a personally meaningful body of work are the only prerequisites. “Joel Sternfeld: A Corrosive Truth.” Paris: Beaux Arts Editions : 200–201.Yochelson, Bonnie. Oct 17, 2008 Oct 22, 2006 1. “Citigroup Prize: Study of South African Commuters Shortlisted.” Moakley, Paul.
May 11, 2018
Feb 7, 2017 In the second semester, the emphasis will shift as students choose to work on a subject and in a form that coincides with the ideas that they most urgently wish to express. Jan 11, 2012 “Persönlichkeit statt gefälliger Posen.” Taylor, Alex. “Everything’s Gone Green: Photography and the Garden.” In Hartshorn, Willis E., Edward W. Earle, Christopher Phillips, Carol Squiers, and Brian Wallis. “Joel Sternfeld, Sweet Earth: Experimental Utopias in America.” Gefter, Philp. Feb 4, 2004 Each week of the first semester, a different photographic idea or genre will be traced from its earliest iterations to its present form through slide lectures and readings. “Joel Sternfeld, Luhring Augustine.” Blank, Bill. “No Retrospective! Apr 20, 1987
Jul 17, 1992 Jan 23, 2020 Recipient of two Guggenheim fellowships and a Prix de Rome. This course aims to create the forum and the conditions necessary for all to do so in a critical and supportive workshop environment.In the early 1980s, in response to a mounting critique of so-called “documentary photography,” a number of photographic artists turned to alternative methodologies to express their ideas and their concerns. No previous experience in photography is necessary nor is any special equipment. Jul 12, 2014 “Er hat den Farbfilm nicht vergessen.” Kröner, Magdalena.
“Die Amerikanische Alternative,” Boisseree, Clemens. “Joel Sternfeld: Luhring Augustine.” Menou, Antigoni. If you have a story to tell or a statement to make or a phenomenon that you wish to study and describe, this course is open to you. “Discovery is Part of the Pleasure of Joel Sternfeld’s Photographs at BMA.” “Joel Sternfeld Photographs at the Baltimore Museum of Art.” Purchase, Steve. Riccardo James Vargiu.
“Beautiful Dreamers: Utopia in America.” Traub, James.
Dec 20, 2019 “Little Boxes, Transformed by the Years.” Artner, Alan.
Jan 23, 2020
“Portraits of American Paradises, Mostly Lost.” Gurganus, Allan. If you have a story to tell or a statement to make, this course is open to you. Sep 29, 2008
Feb 4, 2004 “Castles Built on Sand: Joel Sternfeld’s Edwards, Steve. Sep 20, 1992 “Profile: Joel Sternfeld—First Pictures.” Gaebe, Carly. May 21, 2001 “The Landscape Photographs That Ansel Adams Wouldn’t Take.” Schemmer, Julia.
“After the Fact: Joel Sternfeld’s On This SiteMéaux, Danièle. “Landvermesser des Amerikanischen Kontinents.” Bochynek, Martin. “Roadmovie des einsamen Jägers.” O’Hagan, Sean. Using photographs in combination with text, video, installation, sculpture, and performance, her work has communicated feminist and antiwar messages in novel and powerful ways. Los Angeles: Los Angeles County Museum of Art, 2000.Phillips, Sandra S., Richard Rodriguez, Aaron Betsky, Eldridge M. Moores. Aug 1, 2003
Aug 1, 2011 “An Opinionated Survey of the Week’s Events: Photo.” Grundberg, Andy. “Joel Sternfeld, Sweet Earth: Experimental Utopias in America (Luhring Augustine Exhibition Review).” Wolinski, Natacha. “Nah Dran und in Farbe.” Büsing, Nicole and Heiko Klaas, “Panorama Amerikanischer Augenblicke.” Capodici, Chiara. Edition 07/2019An article from Vogue by Rebecca Bengal and Joel SternfeldAn Article from Financial Time by Madeleine PollardAn article from Washington Post by Kenneth Dickerman and Joel SternfeldA review from White Hot Magazine by Deborah Krieger Joel Sternfeld is an artist-photographer whose work is concerned with utopic and dystopic possibilities of the American experience.2004, Citigroup Photography Prize, in association with Photographers’ Gallery, London, England1985, Grand Prize, Higashikawa International Photo Festival1983, American Council for the Arts Emerging Artist Award1982, John Simon Guggenheim Memorial Foundation Award1980, National Endowment for the Arts Photographers Fellowship1980, New York State Council for the Arts Creative Artist Public Service Fellowship1978, John Simon Guggenheim Memorial Foundation FellowshipÜber die großen Städte/ About the Big Cities, Neue Gesellschaft für Bildende Kunst, Berlin, Germany*Cleveland Center for Contemporary Art, Cleveland, OHCreative Artists Public Service Photography Exhibition, New York, NYCrowley, Jennifer.
“End Frame—Lessons in Seeing.” Jiang, Rong. “When it Comes to Photography, Variety Rules in Chelsea.” Amy, Michaël. Mar 5, 2017