Selected Group Exhibitions. For more information please You can manage the artists and galleries you follow in Hong Kong, Zurich, London, New York, Los Angeles, Somerset, Gstaad, St. Moritz Christie's London Guillermo Kuitca (Argentinean, b.1961) is an installation artist, sculptor, and draughtsman, best known for manipulating geographical maps and architectural plans. See available paintings, prints and multiples, and works on paper for sale and learn about the artist. All rights reserved.Solo: Hirshhorn Museum and Sculpture Park, 'Retrospective', Washington DCSolo: Sperone Westwater, 'Acoustic Mass', New York NY Solo: Sala Muralla Bizantina, 'Dibujos y variaciones sobre papel 2000-2004', Cartagena/ESolo: Museo National Centro de Arte Reina Sofia, 'Guillermo Kuitca: Obras 1982-2002', Madrid/E; travelled to: Museo Lationoamericano de Buenos Aires Coleccion Constantini, Buenos Aires/ARG Solo: Sperone Westwater, 'Guillermo Kuitca: The Ring', New York NY Solo: Galerie Hauser & Wirth, 'Guillermo Kuitca', Zurich/CHSolo: Fondation Cartier pour l'art contemporain, 'Guillermo Kuitca, œuvres récentes', Paris/FSolo: Sperone Westwater, 'Castle to Castle (From the Neufert Suite)', New York NY Solo: Galerie Thaddaeus Ropac, 'Guillermo Kuitca', Paris/F‘Guillermo Kuitca’, exhibition catalogue with a text by Paulo Herkenhoff and an interview with Graciela Sssperanza (Paris: Fondation Cartier pour l’art contemporain 2000)‘Guillermo Kuitca’, Paris, Actes Sud, Fondation Cartier pour l’art contemporain‘Guillermo Kuitca: Dreawings 1981-1996’, New York, Sperone Westwater‘Guillermo Kuitca, Burning Beds: A Survey 1982-1994’, Amsterdam, Contemporary Art Foundation‘A Book Based on Guillermo Kuitca’, (Essays by Jerry Saltz, Martin Rejtman, Marcelo E. Pacheco), Amsterdam, Contemporary Art Foundation‘Guillermo David Kuitca: Works 1982-1988’, Buenos Aires, Ediciones Julia Lublin
To make artwork enquiries, follow artists and galleries, save and share artworks and receive our newsletter. This stems, in part, from a response to a series of wall paintings he completed – including a mural in his studio in Buenos Aires, a commission inside Durslade Farmhouse at Hauser & Wirth Somerset, as well as installations in New York and the Fondation Cartier pour l'art contemporain in Paris – which encouraged Kuitca to work on a larger scale: affording a literal incorporation of real space into his canvases, while enabling Kuitca to bridge two-and three-dimensional modes of working. Kunst im Zeitalter von Postkolonialismus und globaler Migration" "Painting: The Extended Field" Magasin 3, Stockholm, Sweden; Rooseum, Malmö, Sweden "Contemporary Projects: Longing and Memory" Los Angeles County Museum of Art, CA "4e Biennale de Lyon d'Art Contemporain" Halle Tony Garnier, Lyon, France(catalogue)"Cartographers: Geo-Gnostic Projection for the 21st Century" The Museum of "Wounds: Between Democracy and Redemption in Contemporary Art" Moderna Museet, "XXIV Bienal de São Paulo" Pavilhão Ciccillo Matarazzo, Parque Ibirapuera, São Paulo, Brazil "Reality and Desire" Juan Miró Foundation, Barcelona, Spain (catalogue) "Arte Americana: Ultimo Decennio" Museo d'Arte della Citta di Ravenna, Italy (catalogue) "Contra La Architectura" Espai d'Art Contemporani de Castelló, Valencia, Spain (catalogue)"F(r)icciones" Museo Nacional Centro de Arte Reina Sofia, Madrid, Spain "7th International Istanbul Biennial 2001," Beyoðlu, Istanbul, 21 September – 17 November "Content is a Glimpse," Timothy Taylor Gallery, London, 7 November – 21 December 2001 "Ten Years, Galerie Hauser & Wirth," Galerie Hauser & Wirth, Zürich, 19 January – 2 March "Time to Consider: The Arts Respond to 9.11," Deutsche Bank Lobby Gallery, 4 February – 22 "Terra Incognita: Contemporary Artists’ Maps and other Visual Organizing Systems, "Tempo,” The Museum of Modern Art, New York, 29 June – 9 September (catalogue) “Four in One,” Distrito Cuatro Galeria de Arte, Madrid, 3 April – 17 May 2003. Born in 1961 in Buenos Aires, where he continues to live and work, Argentine artist Guillermo Kuitca's distinctive cubistoid style masterfully reconciles abstraction with an illusionist form of figuration. To create these paintings, Kuitca's relied upon elementary human movements to map the surface of each canvas. Shifting from gestural mark making to linear precision, and incorporating diverse motifs – spanning fragmented geographical maps and architectural plans – Kuitca's work mines varied aesthetic styles and histories.The artist's distinctive visual language was initially developed in his Desenlace series of paintings, exhibited in the Argentinean Pavilion at the 2007 Venice Biennale. Born in 1961 in Buenos Aires, where he continues to live and work, Argentine artist Guillermo Kuitca's distinctive cubistoid style masterfully reconciles abstraction with an illusionist form of figuration.
Les œuvres de Guillermo Kuitca comprennent des installations, des dessins, des peintures et des sculptures, et il n'a presque jamais impliqué les humains. “Trauma,” exhibition catalogue, Dundee Contemporary Arts, Dundee, Scotland, 2001, pp.