The design brief was to achieve the performance of a three‑way system using only two drivers, with the aim of delivering an extended bass and accurate mid‑range with the lowest possible distortion. Of course I expected them to sound good, but these monitors exceeded my expectations in every way. the price is SPOT ON.
They also generate some heat. Also a note worth mentioning: these speakers are durable and incredibly well constructed, but by no means are they light weight. if you have a crappy mix then it will be a crappy mix because these speakers do not flatter! The laws of physics impose certain boundaries, but this design pushes them back by using novel technology in both the driver design and the cast-metal enclosure. I wish that would have been left up to the engineer's judgement but I can live with it. LOUD. When fed with high‑quality material from a known audio CD, the first thing you notice is the lack of upper‑mid coloration that can make a monitor sound squawky or over‑presumptuous. They are available to offer you personalized product advice any time you need it.Thank you for your request. On paper, the Opal follows the familiar active, two‑way, ported box format, with an eight‑inch woofer and a one‑inch tweeter, but there's a lot going on in there that isn't obvious at first glance. When no audio is being fed to the speakers, the resting power consumption is around 20W.Opal's 1.6kHz crossover is a very steep, eighth-order (48dB/octave) type and, along with the user adjustable filters, is based on phase-coherent filter circuitry that maintains a flat phase response over the crossover region. Read honest and unbiased product reviews from our users. I spent a year, 1 month, and 2 weeks waiting for the opals because of tsunamis interruption and then the 20/20bas take over the production line. The controls for the user-adjustable filters used to match performance to room position are on the front panel, where they can be seen and adjusted with minimum effort, but they're covered by a rubber panel when not in use. Each surface is a combination of complex radii to eliminate any diffraction inside the speaker cabinet. This uses a carbon-fibre‑reinforced, paper‑pulp cone, driven by a 66mm copper‑clad aluminium voice‑coil, wound onto a robust polyamide/glass‑fibre former and powered by a neodymium magnetic assembly.
I can confidently state that these monitors sound at least as good as, if not better than, the high-end monitors I've typically recommended over the past few years which actually cost a bit more to boot.These monitors are absolute beasts in every sense of the word. They are not to be compared to the Event Precision 8 (ASP8) monitors. This circuit is built onto a four‑layer circuit board and specified to have less than 0.005 percent total harmonic distortion (THD). Under normal operating conditions, the top LED shows green for signal present and yellow when you're cooking things a bit too hard, although this is said to be an advisory warning, rather than the usual hard clip indicator, so I assume that it comes on when the soft clipper starts to operate. There's also a blue LED designed to be used in conjunction with an external expander module, its meaning dependent on the module in use.The rear panel is dominated by a large, finned heat-sink, and there's a lifting handle built into the rear top edge of the cabinet, making it easier to position these heavy speakers. The front mounted ports incorporate a variable impedance design that completely remove any port noise, and does not rely on room acoustics unlike rear porting solutions. The speaker weighs in at around 46 lbs. The transition between the woofer and the baffle is also smooth. They sound amazing. The ASP8 monitors were very imperfect in a lot of areas (poor stereo image, muddy, no true mids), but the Opals are the real deal. Indeed, I'd love to have a pair of these in the lounge for serious music listening.I'm impressed: I can't remember when I last enjoyed working with new monitors as much as I did with these, and there was nothing about the sound that felt wrong or out of place. Loud like thunder. Facebook; Twitter; Pinterest; Google+; Quantity. A fine‑mesh grille protects the front of the tweeter, and behind this is a phase plug.Underpinning the sound is the eight‑inch EX8 driver, which it is claimed has a 30Hz to 10kHz raw response (measured without the filtering effects of the crossover or the ported cabinet). and the sound!
Do they live up to the hype?Event have been building studio monitors for 15 years, but since they were acquired by the owner of Australian mic manufacturers Rode, there have been big changes, and the new, high‑end Opal monitor signals a completely new direction. Needless to say I am more than satisfied and elated to say that these speakers are everything and more than I hoped they would be. The cabinet base is slightly curved so that the position of the speaker on the pad can be used to adjust the vertical angle.The controls go a little further than those on the majority of active monitors, as there's a variable-Q filter, with a frequency range of 40‑280Hz, which can be set to cut by up to 6dB in 1dB steps. To me very neutral and helped improve my mixing tremendously.