We have this massive limitation of what images exist, which I think is a really creatively encouraging limitation, because it does mean you have to constantly go back.
You and I don’t talk solely in one register. Torrenting things is so easy – it’s ridiculous how easy it is. Because of the stripped down commissioning process for iPlayer, it was amazing – I think, like, I went and talked to them in the loosest possible terms if I had any ideas one week and about a week and a half later, it was more or less happening. I love that people will go on there to watch EastEnders and it’s just there for a year or so and hopefully people will stumble upon it!Beyond CLueless is on Netflix now and that’s my… it’s obviously amazing to show it in cinemas and have it be on this huge screen and be showing to hundreds of people in a single room, but my favourite part of that whole process is having it on Netflix and then anyone could find it!
It’s a blessing and a curse.
What I liked about it was that I wanted the film to be this quite visceral experience but I wanted people to be hopefully making the kind of links and connections in their own minds that allow it to be a critical experience. I think the pictures tend to lead. The young blogger, journalist and filmmaker’s first film was Beyond Clueless, a documentary about teen movies. It does depend how you phrase it. That’s what I always wanted: to create a piece of film criticism that would encourage people themselves to be critical. Get in touch. It was mercifully a lot more selective as viewing process! Not as an ideal, but as a practical thing. They are different worlds.
It doesn’t feel very attention-grabbing, but maybe that’s enough…All original content © Copyright 2020 VODzilla.co Limited.Images on VODzilla.co are authorised and subject to restrictions. Fear Itself is one of the more interesting - and unique - horror films of recent years. However, this is an independent publication: we take care not to let commercial relationships dictate the editorial stance of content or the writing staff.
It’s something that, to me, was always missing from any discussion of the horror genre. We had so many discussions when making it what should the tone be, what’s their agency, or whatever. 020 7837 3222 era@era.org.uk. I always wanted there to be a hint of motive for someone to be so invested in a subject, but not to be so definite that it felt inhuman.It kind of, for me at least, probably because I’m not good at planning, it fell into a spiral of back and forth. I’ve done that with music and everything else. In my experience, it’s at those moments when you’re at a juncture or something stressful has happened or you have a reason to find solace.
So that yeah, felt like a good footing to get started on. What is my favourite horror movie? Even the clip I used from The Exorcist of Linda Blair lying in the operating room having blood taken, I had completely forgotten about that scene until I re-watched it for this film. So that while you’re watching these sequences you can still take note of what’s happening and piece together how it’s working and how it’s working on you, but without having to chip in with the narration. The young blogger, journalist and filmmaker's first film was Beyond Clueless, a …
I don’t know why people forget certain things the second they are an artist. Permission is required for any further use beyond viewing on this site. We need to keep up.I know it took the music industry a long time to get to the point where Spotify and iTunes – I know there are still massive problems in terms of rights and money – but it does feel like the music industry has got to the point with its relationship with the customer where it’s very easy to listen to any song now. The original rough cut, every cut was a genius pairing of two images! It’s a hard balance to strike, especially when for, like, critical reasons, you want to deconstruct the reasons behind a lot of these films and the way they’re made. Victoria Jaye, BBC iPlayer head of TV content, said: "Charlie Lyne is one of the most exciting young filmmakers in Britain today and we're absolutely thrilled to bring his feature film, Fear Itself, exclusively to BBC iPlayer.
A lot of those bits in Fear Itself are moments that have stayed with me, searing moments of fear, even in unlikely places.